The second day of MoCCA has ended, and I'm exhausted but very pleased with the way things has turned out. I've had another signing session with Fantagraphics, and my book was actually sold out at the end of the show. That felt good.
I've also managed to actually walk the floor today, looking at all the books and fanzines that were for sale. This is always interesting as it says a lot about the currents in the comics culture right now. For me, the most interesting stuff was published by the big publishers, Fantagraphics of course, but also Top Shelf, Drawn & Quarterly, Abrams, Yo Books and a few more. Together they put out so many new, interesting books that it's dizzying.
There were a few really interesting fanzines as well, but for the most part, they left me cold, being derivatives of well known genres and styles.
We also managed to get together representatives from the different Nordic countries, discussing how we can improve our cooperation at MoCCA in years to come. There was a lot of energy at this meeting and a lot of good ideas, so it is looking good for the Nordic Alley at MoCCA 2013.
After the show had ended I went for dinner with friend and colleague David Gerstein, whom I hadn't met in a few years and we had, as is always the case when you eat out with David, a great meal and some good gossip about the comics business.
Right now, I'm back at the hotel room, reading some of all the books I've bought. Tomorrow I'll go shopping and sit around at cafes working, before flying home in the evening. It's a dirty job, but someone's gotta do it...
30 April 2012
29 April 2012
Live: MoCCA 2012 - Day 1
Today, the festival got started and the beautiful great hall of the Armory filled up with visitors.
There was a long queue hours before opening, and my personal favourite: a street playing Boba Fett, doing interpretations of Star Wars themes on an accordion.
The room filled up quickly and the heat slowly rose, along with the sound of fervent discussions about anything comics related.
The Nordic Alley was today full of participants, with tables representing Sweden, Norway, Denmark and Finland.
Today was also time for the official Nordic panel, for which I was moderator. Representing the Nordic countries on stage were Peter Madsen (DA), Mattias Elftorp (SE), Bendik Kaltenborn (NO) and Kaisa Leka & Harri Römpötti (FI). The audience was unexpectantly big and very enthusiastic, ready with many questions at the end of the panel.
After this I did my first signing session at the Fantagraphics booth, giving me the opportunity to for the first time properly examine my new book Jewish Images in Comics, which turned out nicely thick, almost cubic. The extended softcover edition of the long since sold out Black Images in the Comics had also arrived and also looks really nice. All in all, I'm very satisfied with the results and looking forward to seeing the reviews.
Now day one of the festival is over and I am heading off to the official Fantagraphics dinner, with among others my old friend Jason, who came over here from France. Tomorrow I'll try to get time to actually look at the rest of the festival and see what gems there are to be found among all these booths.
There was a long queue hours before opening, and my personal favourite: a street playing Boba Fett, doing interpretations of Star Wars themes on an accordion.
The room filled up quickly and the heat slowly rose, along with the sound of fervent discussions about anything comics related.
The Nordic Alley was today full of participants, with tables representing Sweden, Norway, Denmark and Finland.
Today was also time for the official Nordic panel, for which I was moderator. Representing the Nordic countries on stage were Peter Madsen (DA), Mattias Elftorp (SE), Bendik Kaltenborn (NO) and Kaisa Leka & Harri Römpötti (FI). The audience was unexpectantly big and very enthusiastic, ready with many questions at the end of the panel.
After this I did my first signing session at the Fantagraphics booth, giving me the opportunity to for the first time properly examine my new book Jewish Images in Comics, which turned out nicely thick, almost cubic. The extended softcover edition of the long since sold out Black Images in the Comics had also arrived and also looks really nice. All in all, I'm very satisfied with the results and looking forward to seeing the reviews.
Now day one of the festival is over and I am heading off to the official Fantagraphics dinner, with among others my old friend Jason, who came over here from France. Tomorrow I'll try to get time to actually look at the rest of the festival and see what gems there are to be found among all these booths.
28 April 2012
Live: MoCCA 2012 - Day 0
Having arrived safely to New York late last night, I had the opportunity to spend a whole day in this buzzing city before the main event, the MoCCA Art Fest started.
I spent the day walking about, among other things visiting a comic book store, Jeff Hanley's Universe, to get a proper feel for the American comics business. The dominance of the superhero genre is rather evident.
Then I visited the MoCCA site, at the beautiful but strange Armory building. The bigger publishers were already building their booths, and lo and behold, there was my new book: Jewish Images in the Comics; just as chunky and cubic as I had imagined. Sadly Fantagraphics had only been able to secure a few copies for the festival, so I could not carry one away with me, but it felt great to hold it in my hands. More on the book tomorrow.
When I had met up with Swedish artist Mattias Elftorp (Piracy is Liberation) and we had finished building the Swedish booth, we headed back out into the city, visiting the Fresh Meat festival, where the students of The School of Visual Art were displaying their fanzines. Walking about, looking at their comics made me realize just how similar things can be, despite geographic and cultural divides, as the art they displayed felt like it could have been made by the students of my Comic Art School of Malmö.
After this we met up with the Danish group, which as usual is the biggest Nordic group at MoCCA, and had some rather good beers before heading back to the hotel. All in all, a very good start of a festival that really doesn't start until tomorrow.
I spent the day walking about, among other things visiting a comic book store, Jeff Hanley's Universe, to get a proper feel for the American comics business. The dominance of the superhero genre is rather evident.
Then I visited the MoCCA site, at the beautiful but strange Armory building. The bigger publishers were already building their booths, and lo and behold, there was my new book: Jewish Images in the Comics; just as chunky and cubic as I had imagined. Sadly Fantagraphics had only been able to secure a few copies for the festival, so I could not carry one away with me, but it felt great to hold it in my hands. More on the book tomorrow.
When I had met up with Swedish artist Mattias Elftorp (Piracy is Liberation) and we had finished building the Swedish booth, we headed back out into the city, visiting the Fresh Meat festival, where the students of The School of Visual Art were displaying their fanzines. Walking about, looking at their comics made me realize just how similar things can be, despite geographic and cultural divides, as the art they displayed felt like it could have been made by the students of my Comic Art School of Malmö.
After this we met up with the Danish group, which as usual is the biggest Nordic group at MoCCA, and had some rather good beers before heading back to the hotel. All in all, a very good start of a festival that really doesn't start until tomorrow.
20 April 2012
News: The Comic Art School at work
Right now the students at The Comic Art School of Malmö are painting a mural on a wall at newly furbished institution in Malmö, which has comissioned us to give one of their rooms an artistic touch. It looks great, and will remain as a monument for this class for a long time.
6 April 2012
Happy Easter!
Enjoying a quiet Easter with my family. Haven't seen any Easter Bunnies, but I found this great cover. There is a strange and wonderful American comic book cover for every occasion.
For those wanting even more Easter fun, I recommend a visit to friend and artist extraordinaire Malin Biller's site.
28 March 2012
For Kristiina, with love
We have lost one of the most tenacious fighters for comics in Scandinavia, and I have lost a friend. Kristiina Kolehmainen, head of Serieteket in Stockholm, has passed away. I will write a longer text for Bild & Bubbla about Kristiina and all the hard work, energy and enthusiasm that she brought to comics and to all of us who knew her. For now I will settle for sharing some photos of this wonderful lady.
Rest in peace Kristiina, you will be remembered with love and affection! I already miss you...
11 March 2012
News: Comics Trailers
A new trend among Swedish comics seems to be to create trailers for upcoming graphic novels. Here are two recent ones, made to promote two Swedish graphic novels by Kim W. Andersson and Åsa Ekström respectively. Enjoy!
Kim W. Andersson has made trailers like these before. Here's an older one for his comic Love Hurts:
There was also a trailer made for the graphic novel Gängkrig 145 by Jens Lapidus and Peter Bergting, that was shown as a commercial at cinemas all over Sweden a few years ago.
Do you know of other comic trailers like these, then please let me know, as I find this fascinating.
Kim W. Andersson has made trailers like these before. Here's an older one for his comic Love Hurts:
There was also a trailer made for the graphic novel Gängkrig 145 by Jens Lapidus and Peter Bergting, that was shown as a commercial at cinemas all over Sweden a few years ago.
Do you know of other comic trailers like these, then please let me know, as I find this fascinating.
Etiketter:
comics trailers,
Jens Lapidus,
Kim W. Andersson,
Peter Bergting,
Åsa Ekström
20 February 2012
News: Jewish Images in the Comics
It's getting closer and closer to the launch of my third book in the "Visual History" series from Fantagraphics. As many of you know by now, the topic this time is Jewish culture and Jewish History and the manuscript for Jewish Images in the Comics is by now at the publishers.
One thing that I have done for every book in this series is ask an artist to draw a special illustration for the title page inside of the book.
For Black Images in the Comics (which will be out in a new paperback edition in a few months), Patrik Norrman drew a beautiful Janus-styled portrait of the depiction of Black people, with one half showing a racist "native" with a bone through the nose, and the other half a realistically represented Black man.
For The Comics go to Hell, I asked artist Daniel Novakovic to draw a similar Janus inspired illustration with two very different ideas of what the devil might look like. Again a really beautiful illustration that captured the essence of the book.
And no, the cover illustration was not done by Novakovic, but by Jamie Hernandez, who also did an outstanding job, actually putting me on the cover in the guise of the Devil.
And now it's time for Jewish Images in the Comics. I have once again chosen a very good artist to draw an illustration, which can be seen above, again showing a racist/antisemitic half set against a realistic rendering of a Jewish man.
I am very pleased with the results, and the question I want to pose to you now is, who has drawn this image? Can you guess?
Etiketter:
Daniel Novakovic,
Fantagraphics,
jewish culture,
Patrik Norrman
10 February 2012
Live: Paris - La vie n'est pas pour les amateurs
As of right now, the big Swedish comics exhibition La vie n'est pas pour les amateurs (Life is not for amateurs) is on display at the Swedish Institute in Paris, and will be so until the 15th of April.
| Knut Larsson. |
Strindberg had a special relationship with Paris. It was here he fled when the pressure became too high in Sweden, when friends and enemies, family and critics became too intrusive. But it was also here that he experienced his greatest personal crisis, the one immortalized in the book Inferno, one of Swedish literature's most legendary works. France is also the center of one of the strongest and most interesting comics cultures in the world. So it is only logical that a large comics exhibition on Strindberg, set to mark the 100th anniversary of his death, is shown right here.
Here's a visual walk-through of the exhibition, which just might come to a town near you in the not so distant future.
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| Joanna Rubin Dranger |
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| Fabian Göranson |
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| Joanna Hellgren |
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| Joanna Hellgren |
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| Henrik Lange och Fabian Göranson |
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| Fabian Göranson |
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| Henrik Lange |
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| Anneli Furmark |
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| Anneli Furmark |
| Kolbeinn Karlsson |
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| Kolbeinn Karlsson |
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| Knut Larsson |
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| Knut Larsson |
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| Malin Biller |
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| Malin Biller |
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| Loka Kanarp |
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| Loka Kanarp |
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| Matilda Ruta |
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| Matilda Ruta |
Fredrik Strömberg, President of the Comics Association and producer of the exhibition (fredrik.stromberg@serieframjandet.se)
Josefin Svenske, publishers Kolik Förlag and curator of the exhibition (svenske@kolikforlag.se)
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